| 1 | Anon. c.1200: Pater noster commiserans (Conductus) | 5:35 |
| 2 | Anon. c.1200 (now attr. to Philippe le Chancelier): Dic Christi vernal (Conductus) | 2:44 |
| 3 | Anon. c.1200: Alleluja Christus resurgens with clausula, "Mors" (Hallelujah for the fourth Sunday after Easter) | 4:14 |
| 4 | Perotin: Alleluja Nativitas (Hallelujah for the Feast of the Birth of Mary, c. 1200) | 6:47 |
| The Deller Consort / members of the Collegium Aureum / Alfred Deller, director Alfred Deller, counter-tenor / Wilfred Brown, tenor / Gerald English, tenor / Maurice Bevan, baritone Helmut Hucke, soprano bombardon / Albrecht Renz, cornett (1, 3) / Hans-Martin Linde, recorder (1, 3) /Ilse Brix-Meinert, fiddle (2, 4) / Johannes Koch, regal / Rudolf Ewerhart, regal (2, 4) | ||
| 5 | anon. c.1280: Hoquetus “in seculum” | 1:02 |
| 6 | anon. c.1280: Amor potest conqueri | 1:15 |
| 7 | anon. c.1300: In seculum d'Amiens longum | 0:55 |
| 8 | anon. 13c.: El mois de mai | 1:03 |
| 9 | anon. 14c: La Manfredina | 1:15 |
| 10 | Jehan Vaillant: Par maintes foys | 3:26 |
| 11 | Solage: Pluseurs gens voy | 2:02 |
| 12 | Matheus de Perusio: Ne me chant | 1:42 |
| 13 | Guillaume de Machaut: S'il estoit | 1:54 |
| 14 | Guillaume de Machaut: Comment qu'à moy | 1:52 |
| 15 | Matheus de Perusio: Andray soulet | 0:42 |
| 16 | anon. c.1400: Or sus vous dormez trop | 4:22 |
| 17 | Solage: Helas je voy | 2:07 |
| 18 | Magister Grimace: Alarme, alarme | 1:57 |
| The Deller Consort /Alfred Deller, director / Concentus Musicus Wien / Nikolaus Harnoncourt, director Mary Thomas, soprano / Alfred Deller, counter-tenor / Robert Tear, tenor Alice Harnoncourt, pardessus de viole / Hermann Hobart, bassfiedel / Jürg Schaeftlein, recorder / Kurt Theiner, portable organ / Hans Pöttler, trombone / Leopold Stasny, recorder, percussion (tambourine, triangle, drum) / Ernst Knava, percussion (tambourine, triangle, drum) |
| Guillaume de Machaut: Messe Notre-Dame | ||
| 1 | Kyrie | 6:10 |
| 2 | Gloria | 4:29 |
| 3 | Credo | 6:08 |
| 4 | Sanctus | 3:48 |
| 5 | Agnus Dei | 3:21 |
| 6 | Ite missa est | 1:33 |
| 7 | Perotin: Viderunt omnes (Graduale for the Feast of the Circumcision of Christ) | 10:55 |
| 8 | Perotin: Sederunt Principes (Graduale for the Feast of St. Stephen) | 10:43 |
| The Deller Consort / members of the Collegium Aureum / Alfred Deller, director Alfred Deller, counter-tenor / Wilfred Brown, tenor / Gerald English, tenor / Maurice Bevan, baritone Helmut Hucke, soprano bombardon / Heinrich Göldner, tenor bomardon (1-6) / Hans-Martin Linde, recorder (1-6, 8) / Albrecht Renz, cornett (7-8) / Helmut Schmitt, trombone (1-6) / Franzjosef Maier (1-6) and Ilse Brix-Meinert (7), fiddle /Johannes Koch, regal (1-6, 8) and recorder (7) / Rudolf Ewerhart, regal (7) |
| 1 | First Lesson – Incipit Lamentatio Jeremiae | 0:43 |
| 2 | Aleph Quomodo sedet | 2:44 |
| 3 | Beth Plorans ploravit | 3:51 |
| 4 | Ghimel, Migravit Judas | 2:09 |
| 5 | Daleth, Viae Sion lugent | 2:58 |
| 6 | He, Facti sunt | 3:31 |
| 7 | Jerusalem, Jerusalem | 3:36 |
| 8 | Second Lesson – Vau, Eet egressus est | 2:25 |
| 9 | Zain, Recordata est | 3:21 |
| 10 | Heth, Peccatum peccavit | 2:02 |
| 11 | Teth, Sordes ejust | 3:09 |
| 12 | Jerusalem, Jerusalem | 2:31 |
| 13 | Third Lesson – Jod, Manum suam | 2:04 |
| 14 | Caph, Omnis populus | 2:09 |
| 15 | Lamed, O vos omnes | 2:56 |
| 16 | Mem, De excelso misit | 2:08 |
| 17 | Nun, Vigilavit jugum | 2:18 |
| 18 | Jerusalem, Jerusalem | 2:20 |
| Alfred Deller, counter-tenor / Wilfred Brown, tenor / Desmond Dupré, viola da gamba / Harry Gabb, organ |
| Michel-Richard de Lalande: De Profundis | ||
| 1 | De profundis clamavi ad te Domine | 5:27 |
| 2 | Fiant aures tuae | 2:05 |
| 3 | Si inequitates | 2:17 |
| 4 | Quia apud | 3:14 |
| 5 | Sustinuit anima mea | 4:24 |
| 6 | Speravit anima mea | 3:31 |
| 7 | A custodia matutina | 2:52 |
| 8 | Quia apud Dominum | 2:32 |
| 9 | Et ipse redime Israel - Requiem - Et lux perpetua | 8:28 |
| The Deller Consort / Wiener Kammerchor (Hans Gillesberger, director) / Kammerorchester der Wiener Staatsoper / Alfred Deller, conductor Mary Thomas, soprano / Honor Sheppard, soprano / Robert Tear, tenor / Maurice Bevan, baritone / Franz Opalensky, flute / Manfred Kautzky, oboe / Herbert Tachezi, organ |
| Claudio Monteverdi: Ballo delle ingrate, sv167 (text: O. Rinuccini) | ||
| 1 | Ouverture | 0:32 |
| 2 | Amore: De l'implacabili Dio | 2:34 |
| 3 | Sinfonia | 0:27 |
| 4 | Venere: Udite, Domne, udite | 2:34 |
| 5 | Plutone: Belle madre d'Amore | 13:40 |
| 6 | Amore e Venere: Ecco ver noi | 2:52 |
| 7 | Ballo | 3:47 |
| 8 | Plutone: Dal tenebroso orror | 8:44 |
| 9 | Ballo | 4:23 |
| 10 | Una delle Ingrate: Ahi troppo è duro | 5:15 |
| Amore: Eileen McLaughlin, soprano Una dell'Ingrate: April Cantelo, soprano Venere: Alfred Deller, counter-tenor Plutone: David Ward, bass Ambrosian Singers / London Chamber Players / Alfred Deller, conductor Julian Bream, lute / Desmond Dupré, viola da gamba / Denis Vaughan, harpsichord / Neville Marriner, violin / Peter Gibbs, violon / Kenneth Essex, viola / Derek Simpson, cello / Anthony Baines, contrabass |
| 1 | Lodovico Viadana (aka Lodovico Grossi): Cento Concerti Ecclesiastici, Venise 1602 – Exaudi me Domine | 3:30 |
| 2 | Heinrich Schütz: Symphoniae Sacrae, Venice 1629 – In te Domine speravi | 5:25 |
| Alfred Deller, counter-tenor / Gustav Leonhardt, organ /Marie Leonhardt, violin (2) /Robert Scheiwein, cello (2) | ||
| 3 | Giulio Caccini: Pien d'amoroso affeto | 3:27 |
| 4 | Claudio Saracini: Pallidetta qual viola | 1:06 |
| 5 | Giulio Caccini: Amarilli mia bella | 3:11 |
| 6 | Marco da Gagliano: Valli profonde | 4:48 |
| 7 | Alessandro Scarlatti: Difesa non ha | 1:53 |
| 8 | Alessandro Scarlatti: O, cessate di piagarmi | 2:59 |
| 9 | Alessandro Scarlatti: Belleza che s'ama | 1:21 |
| 10 | Giovanni Pietro Berti: Da grave incendio | 5:10 |
| 11 | Alessandro Scarlatti: O dolcissima speranza | 1:50 |
| 12 | Claudio Saracini: Da te parto | 3:11 |
| 13 | Baldessare Donato: Dolce mio ben | 2:53 |
| 14 | Alessandro Scarlatti: La speranza mi tradisce | 1:31 |
| 15 | Giaches de Wert: Dunque basciar | 2:31 |
| Alfred Deller, counter-tenor /Desmond Dupré, luth and viola da gamba / George Malcolm, harpsichord | ||
| 16 | Cipriano de Rore / Bovicelli (vocal line ornamentation): Regole, Passagi di Musica, Madrigali, e Motetti Paseggiati, 1594 – Anchor che col partire (text: Alfonso d'Avalos, Marquis del Vasto) | 4:18 |
| Alfred Deller, countertenor / Gustav Leonhardt, harpsichord | ||
| 17 | Heinrich Schütz: Small Sacred Concertos, 1636/1639 – Erhore mich, wenn ich rufe | 2:52 |
| 18 | Claudio Monteverdi: Sacred Monodies and Motets, Venice, 1625 – Currite, populi, psallite timpanis, sv297 | 3:20 |
| 19 | Heinrich Schütz: Kleine geistliche Konzerte– Der Herr ist gross | 2:34 |
| 20 | Claudio Monteverdi: Sacrae cantiunculae liber primus, Venice, 1582 – Angelus ad pastores ait, sv222 (text: Petrarca) | 1:27 |
| 21 | Claudio Monteverdi: Sacred Monodies and Motets, Calvo, 1620 – Fuge anima mea mundum, sv305 | 4:41 |
| 22 | Claudio Monteverdi: Sacred Monodies and Motets, Venice, 1625 – Salve Regina, sv327 | 4:53 |
| Alfred Deller, counter-tenor / Mark Deller, counter-tenor (17, 19-21) / with ensemble of baroque instruments |