| George Frideric Handel: | ||
| 1 | Jephta (1752), HWV 70 – 'Tis Heaven's all-ruling pow'r | 3:03 |
| 2 | O spare your daughter | 2:37 |
| 3 | Laud her all ye virgin train | 3:09 |
| 4 | Serse (1738, London) – Ombra mai fù | 4:19 |
| 5 | Orlando (1733, London) – Ah! Stigie larve | 8:05 |
| 6 | L'Allegro, il Pensoroso ed il Moderato (1740), HWV 55 – Let me wander | 2:01 |
| 7 | Orlando (1733, London) – Cielo se tu il consenti | 5:21 |
| 8 | Rinaldo (1711, London) – Lascia ch'io pianga | 4:40 |
| 9 | Theodora (1750), HWV 68 – Kind Heav'n, if Virtue be thy care | 2:35 |
| 10 | Wide spread his name | 2:33 |
| 11 | Sweet Rose, and Lilly, flow'ry Form | 3:12 |
| 12 | To thee thou glorious son of worth | 5:16 |
| Alfred Deller, counter-tenor Eileen Poulter, soprano / Wilfred Brown, tenor / Maurice Bevan, baritone / Herbert Tachezi, harpsichord The Handel Festival Orchestra / Sir Anthony Lewis, conductor | ||
| 13 | Coronation Anthems – Zadok the priest | 5:28 |
| 14 | Coronation Anthems – The King shall rejoice | 1:47 |
| 15 | Coronation Anthems – Let thy hand be strenghtened | 8:45 |
| Alfred Deller, counter-tenor / Richard Rudolf, trumpet / Harold Lester, harpsichord Oriana Concert Choir* and Orchestra / Alfred Deller, conductor * Wiener Kammerchor |
| George Frideric Handel: Ode for the Birthday of Queen Anne | ||
| 1 | Largo: Eternal source of light divine | 6:56 |
| 2 | Andante: Let all the winged ... | 2:59 |
| 3 | Andante: Let flocks ... | 2:25 |
| 4 | Let rolling streams ... | 2:47 |
| 5 | Kind health descends | 6:04 |
| 6 | Let envy then conceal her head | 2:26 |
| 7 | United nations shall combine | 3:18 |
| Honor Sheppard, soprano / Alfred Deller, counter-tenor / Mark Deller, counter-tenor / Richard Rudolf, trumpet / Harold Lester, harpsichord Oriana Concert Orchestra / Alfred Deller, conductor | ||
| Johann Sebastian Bach: Cantata 170 "Vergnügte Ruh' beliebte Seelenlust" | ||
| 8 | Aria: Vergnügte Ruh' | 6:53 |
| 9 | Recitative: Die Welt, das Sündenhaus | 1:11 |
| 10 | Aria: Wie jammern | 8:17 |
| 11 | Recitative: Wer solte sich | 1:00 |
| 12 | Aria: Wie leid ist mir das Leben | 6:00 |
| 13 | Johann Sebastian Bach: Mass in b minor, BWV233 – Agnus Dei | 9:01 |
| Johann Sebastian Bach: Cantata 54 "Widerstehe doch der Sünde" – Aria: Widerstehe | ||
| 14 | Aria: Widerstehe | 1:07 |
| 15 | Recitative: Die Art | 3:25 |
| 16 | Aria: Wer Sunde tut | 5:34 |
| Alfred Deller, counter-tenor Leonhardt Baroque Ensemble Michel Piguet, oboe / Eduard Melkus, baroque violin / Marie Leonhardt , baroque violin / Kurt Theiner, baroque viola / Alice Hoffelner , baroque viola / Nicolaus Harnoncourt, baroque 'cello / Alfred Planiawsky, baroque double-bass / Gustav Leonhardt, organ Gustav Leonhardt, conductor |
| Part I | ||
| 1 | Overture (Maestoso – Allegro ma non troppo – Andante) | 6:46 |
| 2 | Recitative: 'Twas at the royal feast | 1:25 |
| 3 | Air and Chorus: Happy, happy, happy | 5:04 |
| 4 | Recitative: Timotheus, plac'd on high | 0:35 |
| 5 | Accompanied recitative: The song began | 1:03 |
| 6 | Chorus: The list'ning crowd | 2:43 |
| 7 | Air: With ravish'd ears | 4:05 |
| 8 | Recitative: The praise of Bacchus | 0:38 |
| 9 | Air and Chorus: Bacchus, ever fair | 4:11 |
| 10 | Recitative: Sooth'd with the sound | 0:57 |
| 11 | Accompanied recitative: He chose a mournful Muse | 1:28 |
| 12 | Air: He sung Darius | 3:43 |
| 13 | Accompanied recitative: With downcast looks | 1:11 |
| 14 | Chorus: Behold Darius | 3:34 |
| 15 | Recitative: The mighty master smil'd | 0:40 |
| 16 | Air: Softly sweet in Lydian measures | 3:26 |
| 17 | Air: War, he sung, is toil and trouble | 5:40 |
| 18 | Chorus: The many rend the skies | 4:02 |
| 19 | Air: The Prince, unable to conceal | 7:46 |
| 20 | Chorus da capo: The many rend the skies | 4:09 |
| Part II | ||
| 21 | Accompanied recitative: Now strike the golden Lyre again | 1:54 |
| 22 | Chorus: Break his bands of sleep asunder | 1::3 |
| 23 | Air: Revenge, revenge | 2:02 |
| 24 | Largo: Behold the ghastly band | 4:46 |
| George Frideric Handel: Alexander's Feast | ||
| 1 | Air da capo: Revenge, revenge | 2:08 |
| 2 | Accompanied recitative: Give the vengeance due | 2:09 |
| 3 | Air: The princes applaud | 2:29 |
| 4 | Air and chorus: Thais led the way | 5:03 |
| 5 | Accompanied recitative: Thus, long ago | 2:54 |
| 6 | Chorus: At last divine Cecilia came | 4:35 |
| 7 | Recitative: Let old Timotheus yield the prize | 0:34 |
| 8 | Chorus and soloists: Let old Timotheus yield the prize | 3:53 |
| Honor Sheppard, soprano / Alfred Deller, counter-tenor / Max Worthley , tenor / Maurice Bevan, bass Oriana Concert Choir and Orchestra / Alfred Deller, conductor | ||
| 9 | John Dowland: Book of Airs, 1597 – Air: Can she excuse my wrongs? | 4:12 |
| 10 | Thomas Morley: A Plaine and Easie Introduction to Practicall Musicke – Air for three viols (instr.) | 1:30 |
| 11 | John Bartlett: A Book of Ayres..., 1606 – Air: Of all the birds that I do know (text: George Gascoigne) | 2:01 |
| 12 | Robert Johnson: Fitwilliam Virginal Book – Alman for harpsichord (set by Giles Farnaby) (instr.) | 1:16 |
| 13 | John Dowland: Book of Airs, 1597 – Air: If my complaints could passions move | 4:26 |
| 14 | John Jenkins: Pavan for four viols (instr.) | 5:57 |
| 15 | Thomas Campian: Rosseter's Book of Ayres, 1601 – Air: I care not for these ladies | 1:44 |
| 16 | John Dowland: Air for lute solo: My Lady Hunsdon's Puffe (instr.) | 1:03 |
| 17 | Robert Parsons: Air: Pandolpho (orn. for lute) | 7:23 |
| 18 | John Jenkins: Fantasia in C for four viols (instr.) | 4:59 |
| 19 | John Dowland: A Pilgrim's Solace – Air: From silent night | 5:19 |
| 20 | Giles Farnaby: Fitzwilliam Virginal Book – Variations for harpsichord on "Up Tails All" (instr.) | 5:57 |
| Alfred Deller, counter-tenor / Desmond Dupré, lute / Gustav Leonhardt, harpsichord Consort of Viols of the Leonhardt Baroque Ensemble Eduard Melkus, treble viol / Nikolaus Harnoncourt, bass viols / Alice Hoffelner, treble viol / Gustav Leonhardt, bass viol |
| Thomas Tallis: The Lamentations of Jeremiah the Prophet | 1:13 | |
| 1 | Part I – Incipit Lamentatio Jeremiae Prophetae | 1:13 |
| 2 | Aleph; Quomodo sedet | 2:36 |
| 3 | Beth | 0:29 |
| 4 | Plorans ploravit | 4:11 |
| 5 | Part II – De Lamentatione Jeremiae Prophetae | 1:36 |
| 6 | Ghimel | 0:59 |
| 7 | Migravit Judas | 1:58 |
| 8 | Daleth | 0:32 |
| 9 | Omnes persecutores | 3:27 |
| 10 | Heth | 0:33 |
| 11 | Facti sunt | 4:47 |
| 12 | Thomas Tallis: Jesu salvator saeculi | 5:18 |
| 13 | John Sheppard (attrib., originally attrib. Tallis): Deus tuorum militum II | 4:13 |
| 14 | Thomas Tallis: O nata lux de lumine | 2:12 |
| 15 | Thomas Tallis: Jam Christus astra ascenderat | 5:42 |
| 16 | Thomas Tallis: Salvator mundi Domine | 5:20 |
| The Deller Consort / Alfred Deller, director Eileen McLoughlin, soprano (12-16) / Alfred Deller, counter-tenor / Gerald English, tenor / Wilfred Brown, tenor / Maurice Bevan, baritone / John Frost, bass | ||
| 17 | Anon., arr. Edmund Fellowes, British Museum, Add. Mss. 17, 786-91: My Sweet Little Darling | 3:04 |
| 18 | Anon., arr. Peter Warlock, Christ Church, Oxford, Mss. 984-8: Guichardo | 4:39 |
| 19 | William Corkine, arr. Thurston Dart: What Bootheth Love ? | 3:17 |
| 20 | Anon., arr. Peter Warlock: Ah, Silly Poor Joas | 1:48 |
| 21 | Thomas Whythorne, arr. Peter Warlock: Buy New Broom | 1:24 |
| 22 | William Byrd, arr. Edmund Fellowes: Elegy on the death of Thomas Tallis, 1585 – Ye Sacred Muses | 3:51 |
| 23 | William Byrd, arr. Edmund Fellowes, : Psalms, Sonnets, and Songs of Sadness and Piety, made into Music of Five Parts, 1588 – Lullaby, My Sweet Little Baby | 7:01 |
| 24 | Richard Nicholson, arr. Peter Warlock: In a Merry May Morn | 1:26 |
| 25 | Robert Parsons, arr. Peter Warlock: Pandolpho | 4:06 |
| 26 | William Byrd, arr. Peter le Huray & Thurston Dart: Come, Pretty Babe | 1:33 |
| 27 | Anon., arr. Peter Warlock: O Death, Rock Me Asleep | 3:07 |
| Alfred Deller, counter-tenor / Wenzinger Consort of Viols of the Schola Cantorum Basiliensis / August Wenzinger, director |
| 1 | John Blow: The Self-Banished | 3:32 |
| 2 | John Weldon: The Nightingale | 1:36 |
| 3 | Georg Frideric Handel: from Rodelinda, HWV19 – Dove sei | 4:14 |
| 4 | Johann Sebastian Bach (spurious, attributed to possibly Gottfried Heinrich Stölzel): Notebook for Anna Magdalena Bach –Bist du bei mir, BWV508 | 2:58 |
| 5 | Matthew Locke: Melothsia, 1673 – Voluntary in G for organ | 1:09 |
| 6 | Henry Purcell: Elegy on the death of Queen Mary, 1695 – The Queen's Epicedium | 7:09 |
| 7 | Matthew Locke: Melothsia, 1673 – Voluntary in F for organ | 1:32 |
| 8 | Pelham Humfrey (or Hemphryes): Harmonia Sacra, Book I, 1688 – A Hymn to God the Father | 3:31 |
| Alfred Deller, countertenor (1-4, 6, 8) /Gustav Leonhardt, harpsichord and organ, 5, 7, 8) | ||
| 9 | Thomas Morley: The First Book of Canzonets to Two Voices, 1595 – Sweet Nymph, Come to Thy Lover | 1:41 |
| 10 | Henry Purcell: Love's Goddess Birthday Song for Queen Mary, 1692 – Sweetness of Nature | 3:40 |
| 11 | Robert Jones: A Musicall Dreame or 4th Book of Airs – Sweet Kate | 1:45 |
| 12 | Thomas Morley: Canzonets for Two Voices – Miraculous love's wounding | 2:58 |
| 13 | I go before, my darling | 1:27 |
| 14 | John Blow: Amphion Anglicus (London, 1600) – If my Celia could persuade | 3:00 |
| 15 | Ah Heav'n! What is it I hear? | 3:17 |
| 16 | Richard Deering: Cantica Sacra (London, 1662) – O bone Jesu | 3:10 |
| 17 | Gaudent in coelis | 1:36 |
| 18 | Anon., Fayrfax Ms (er. John Stevens): Ah, My Dear Son | 6:09 |
| Alfred Deller, countertenor /Mark Deller, counter-tenor / Ensemble of Baroque Instruments |